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Features

  • Interviews
  • Reviews
  • Podcasts
  • Reviews
    17/10
    ​Review of 'Letters to America' by Fred D'Aguiar (Carcanet Press, 2020)
  • Reviews
    17/10
    ​Review of 'Paris: A Poem' by Hope Mirrlees (Faber & Faber, 2020)
  • Reviews
    17/10
    ​Review of 'How to Wash a Heart' by Bhanu Kapil (Liverpool University Press, 2020)
  • Reviews
    17/10
    ​Review of 'Belladonna' by Suna Afshan (Broken Sleep Books/Legitimate Snack, 2020)
  • Reviews
    17/10
    ​Review of 'Hotel' by Ali Lewis (Verve Poetry Press, 2020)
  • Reviews
    17/10
    Review of '1919' by Eve Ewing (Haymarket, 2019), 'Poor' by Caleb Femi (Penguin, 2020) and 'Surge' by Jay Bernard (Chatto, 2019).
  • Reviews
    17/10
    ​Review of 'Heat Wave' by Julian Stannard (Salt, 2020)
  • Reviews
    17/10
    ​Review of 'Heredity/Astynome' by Naush Sabah (Broken Sleep Books, 2020)
  • Reviews
    17/10
    ​Review of 'Guillotine' by Eduardo C. Corral (Graywolf Press, 2020)
  • Reviews
    17/10
    Review of 'The Sea Needs No Ornament / El Mar No Necesita Ornamento' (Peepal Tree Press, 2020)
  • Reviews
    26/06
    Review of 'The Coming-Down Time' by Robert Selby (Shoestring Press, 2020) by James Peake
  • Reviews
    26/06
    Review of 'Six' by Zaffar Kunial (Faber, 2019) by Robert Selby
  • Reviews
    26/06
    Review of ‘Letters Home 回家’ by Jennifer Wong (Nine Arches Press, 2020) by Nikita Biswal
  • Reviews
    26/06
    Review of 'A Piece' by Stephen Emmerson (If P Then Q, 2020) by Astra Papachristodoulou
  • Reviews
    18/01
    Review of ‘Milk Tooth’ by Martha Sprackland (Rough Trade Editions, 2019) by Leaf Arbuthnot
  • Reviews
    18/01
    Review of ‘Rabbit’ by Sophie Robinson (Boiler House Press, 2018) by Phoebe Clarke
  • Reviews
    18/01
    Review of ‘Kismet’ by Jennifer Lee Tsai (ignitionpress, 2019) by Olly Todd
  • Reviews
    18/01
    Review of ‘Deaf Republic’ by Ilya Kaminsky (Faber & Faber, 2019) by Martha Sprackland
  • Reviews
    18/01
    Review of ‘Nights on Prose Mountain: The Fiction of bpNichol’ (Edited by Derek Beaulieu. Coach House Press, 2018) by Nasser Hussain
  • Reviews
    18/01
    'Poetry and Place: Where We Are – On Liz Berry and Alison Brackenbury' by Poppy Kleiser
  • Reviews
    18/01
    On Neo-futurist Poetics by Astra Papachristodoulou
  • Reviews
    18/01
    On Code-switching by Laia Sales Merino
  • Reviews
    03/12
    THE MASK OF DIONYSUS: Bea Bonafini, Rob Branigan and Frances Drayson at Brooke Benington's Viewing Room
  • Reviews
    29/05
    Annegret Soltau: A Different Kind of Role Model
  • Reviews
    01/05
    On 'The Built Environment' by Emily Hasler (Pavilion Press, 2018)
  • Reviews
    02/03
    On 'Vagabond Sun: Selected Poems' by Judita Vaičiūnaitė, translated by Rimas Uzgiris (Shearsman, 2018)
  • Reviews
    01/03
    ​ Jade Cuttle on Guillaume Apollinaire
  • Reviews
    06/12
    Evy Jokhova's 'Weighed down by stones' at Lily Brooke, London
  • Reviews
    02/12
    Michael Coppelov's ‘Poetic. Trucks. Flood.’ at Husk Gallery, London
  • Reviews
    29/10
    On Helen Charman's ‘Support, support’ (Offord Road Books, 2018)
  • Reviews
    25/10
    On Michael Hofmann's ‘One Lark, One Horse’ (Faber and Faber, 2018)
  • Reviews
    25/10
    On Zaffar Kunial's ‘Us’ (Faber & Faber, 2018)
  • Reviews
    25/10
    On Kaveh Akbar's ‘Calling a wolf a wolf’ (Penguin, 2018)
  • Reviews
    30/07
    On Ruth Padel's 'Emerald' (Chatto & Windus, 2018)
  • Reviews
    30/07
    On Fady Joudah's 'Footnotes in the Order of Disappearance' (Milkweed, 2018)
  • Reviews
    22/03
    'Collapse' at Arthouse 1, London
  • Reviews
    07/02
    'Wim Wenders: Instant Stories' at The Photographer's Gallery, London
  • Reviews
    30/11
    'MANIPULATE THE WORLD' at Moderna Museet, Stockholm
  • Reviews
    13/11
    ‘The Bilbao Effect: Guggenheim's 20th Anniversary’ by William Davie
  • Reviews
    20/10
    'The Art of Steven Campbell' at Marlborough Fine Art, London
  • Reviews
    31/08
    For Real – Edward Doegar / Savage – Rebecca Tamas
  • Reviews
    14/08
    'Sometimes I feel like an ampersand': on debut collections from Ocean Vuong and Kayo Chingonyi
  • Reviews
    30/07
    'Alice Neel, Uptown' at Victoria Miro Gallery, London
  • Reviews
    22/07
    Philip Guston: 'Laughter in the Dark, Drawings from 1971 & 1975' at Hauser & Wirth, London
  • Reviews
    24/04
    Stranger, Baby – Emily Berry
  • Reviews
    14/04
    Ipek Duben: 'THEY / ONLAR' at Fabrica Gallery, Brighton
  • Reviews
    04/04
    The Divers – Arabella Currie
  • Reviews
    19/02
    'You Were High When I Was Doomed' at IMT Gallery, London
  • Reviews
    12/01
    No Art: Poems – Ben Lerner
  • Reviews
    25/04
    Physical and Steep Tea — Andrew McMillan and Jee Leong Koh
  • Reviews
    25/04
    The Story of No — Emma Hammond
  • Reviews
    25/04
    Andrew Motion — Peace Talks
  • Reviews
    25/04
    Blood Work — Matthew Siegel
  • Reviews
    25/04
    The Color Of James Brown’s Scream — Kayombo Chingonyi
  • Reviews
    19/04
    The Catch — Fiona Sampson

Ambit is a London-based 96 page literary and art magazine that features poetry, prose and art. We strive to feature fresh voices and visions from across the world, placing emerging writers and artists alongside giants of the scene. Started in 1959 by the London paediatrician Dr Martin Bax, the magazine helped discover and establish Edwin Brock, Carol Ann Duffy, J.G. Ballard, Eduardo Paolozzi, William Burroughs, Fleur Adcock, Liz Berry and Sir Peter Blake among others. Discover the greats of tomorrow today – buy Ambit.